jana.jacuka

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  1. I imagine you reading my words.
    Sitting behind a laptop, browsing the web. Maybe you found me in a brochure, maybe you will come to my performance if this artistic statement is sparking your curiosity.


    This is an attempt to catch your attention.

    I’ll keep it simple:


    I like choreography, but the one that goes beyond body,
    – words, but the ones that go beyond meanings
    – rhythms, but the ones that are felt, rather than understood.

    I like an old school performative presence. A presence of being together; you and me, performer and audience, writer and reader.


    I like to vomit sounds out of my body.
    I vomit memories, thoughts, observations,
    things that are there, not there or might be there.
    I like to vomit, but not on you - with you. It’s not about, but with.


    I like the mundane — unnoticed gestures, the questions that only come when we stop to truly observe. That’s why I like performances. The focus they bring, giving us space and time to encounter something offered to us. I am not interested in transmitting a message to you, but my focus is on the exchange in our
    encounter. About what emerges from this encounter:

    Do you still follow me?


    I’ll tell you simply:
    I don’t aim for clarity. I aim for resonance.
    I invite you to feel what was so simple that it was ignored.
    I’m not here to explain.
    I’m here to be simple — to move you, and be moved
    even in stillness.


    I will come empty handed.
    It’s just the space,
    me and you,
    and suddenly
    something.